This as well: https://rentry.co/megathread-movies-and-tv#streaming

Radar and Sonarr are tools to track movies and TV shows respectively. You can add a movie/show to track, tell it the quality you want it in, and set up Prowlarr or Jackett to give Son/Radarr the access to the torrent trackers it needs. You can also use Usenet but I have no experience there.

It will search those torrent trackers for releases matching your movies/shows in the quality and language you set for them and send the downloads to the torrent client you set up. When the client finishes downloading, Son/Radarr copies (or hardlinks) the files to your library folders.

If Son/Radarr is tracking a show that you currently have downloaded in 480p, but the quality profile allows upgrades up to 1080p, it will search for 720p and 1080p releases and pick the best match it can find. When the torrent client finishes downloading it, Son/Radarr will automatically replace the 480p release with the 1080p release it just downloaded.

Why not use a reverse proxy to keep everything on port 443 behind your own domain or duckdns? /gen

My provider order for stuff that Sonarr handles (shows/anime):

1. TheTVDB
2. AniDB
3. TheMovieDb
4. The Open Movie Database
5. Missing Episode Fetcher

I don’t know what the last two are and I doubt they ever get used. Sonarr uses TheTVDB

I’d like to add that Jellyfin has a provider order that it checks for metadata from. I had some issues until I changed the order to pull metadata from the same provider that Sonarr and Radarr use. Once it checked there for metadata first, everything lined up and I’ve had exceptionally few issues.

Original Twitter post

I was at a shitty crustpunk bar once getting an after-work beer. One of those shitholes where the bartenders clearly hate you. So the bartender and I were ignoring one another when someone sits next to me and he immediately says, “no. get out.”

And the dude next to me says, “hey i’m not doing anything, i’m a paying customer.” and the bartender reaches under the counter for a bat or something and says, “out. now.” and the dude leaves, kind of yelling. And he was dressed in a punk uniform, I noticed

Anyway, asked what that was about and the bartender was like, “you didn’t see his vest but it was all nazi shit. Iron crosses and stuff. You get to recognize them.”

And i was like, ohok and he continues.

"you have to nip it in the bud immediately. These guys come in and it’s always a nice, polite one. And you serve them because you don’t want to cause a scene. And then they become a regular and after awhile they bring a friend. And that dude is cool too.

And then THEY bring friends and the friends bring friends and they stop being cool and then you realize, oh shit, this is a Nazi bar now. And it’s too late because they’re entrenched and if you try to kick them out, they cause a PROBLEM. So you have to shut them down.

And i was like, ‘oh damn.’ and he said “yeah, you have to ignore their reasonable arguments because their end goal is to be terrible, awful people.”

And then he went back to ignoring me. But I haven’t forgotten that at all.

For anyone wondering, their account was created two days ago and half of their handful of comments are like this. That person is baiting. Just report, block, and move on.

About two weeks ago I thought about this in regards to google podcasts.

“Well this one will probably stick around long enough that I’ll have moved on by the time google shuts it down. They don’t even host the episodes anyway. They source the metadata and audio files from elsewhere. All they really host is my listening history, queue, and subscriptions. Certainly this is less likely to get the axe anytime soon.”

*two weeks later*

It really does suck though. I genuinely like the google podcasts app/website. Best one I’ve found so far that works how I like my apps/services to work.

I don’t think this lends enough credit to how centralized the music industry is and the role that plays. If you want the world’s music catalogue, you need contracts with like three companies. That level of centralization makes it straightforward to get a music catalogue going with basically everything someone might want to listen to, but it also severely hampers your ability to do anything those three companies don’t want. If anyone’s wondering why Spotify is pushing podcasts so hard, it’s because that’s the only way for them to get out from under the thumb of the few music megacorps that they have to license from to stay relevant. Spotify needs a revenue stream less dependent on the big three and it sees podcasts as its way out.

I’m sure music files being smaller and easier to pirate helped light a fire under the ass of the music industry to modernize, but that isn’t the only factor at play here and I don’t even think it’s one of the main ones. If I recall correctly, Spotify is the company who went to the music labels asking for a contract. In order to show that the tech works, they had to pirate the initial catalogue until they had deals with music labels to license the music. Spotify brought their streaming vision to the music industry, not the other way around.

I believe Netflix had a good catalogue at first because every other company was sleeping on the streaming boom that Netflix was ahead of the curve on. Netflix could get good streaming license deals because nobody really cared about this little company they’d never heard of. As soon as everyone realized what was up, they scrambled to copy Netflix and pulled their libraries to fracture the streaming space.

From the start, the music industry knew what Spotify was and could be and knew how to use their leverage to keep themselves on top (Spotify isn’t functionally allowed to be their own license for music creators, for example). I don’t think the movie streaming space realized what Netflix was until it blew up.

I don’t think the problem is that movie/tv hasn’t “figured it out.” The music space would be just as fractured if it wasn’t as centrally organized. I think the problem is that the industries are just structured really differently, so they played out really differently.

To be clear, I’m not defending the music or movie/tv industry. I just think the situations are more nuanced than “music freaked out and got their shit together and movie/tv hasn’t yet.”

I didn’t read fancy as meaning “good movies I like” my bad. I thought it was just a modifier to sweet spot meant to spice up the sentence oops

7–20gb for a 1080p movie? Only my 4k movies are allowed to burn that much space. Most of my 1080p movies are under 5gb (usually under 3). I think the only 1080p movie I have at that size is Jiang Ziya: Legend of Deification (2020) at ~11gb, and that’s only because I haven’t found a dual audio version in HEVC/AV1.

Edit: For context, I watch on a 1440p monitor with headphones that simulate 7.1 surround sound (Logitech G Pro X Wireless). A LOT of my 1080p movies are RARBG’s 2gb 5.1 releases. Incredible quality for how tiny the files are. Actual magic.

• It’s a lengthy process if you do it thoroughly
• The stakes are high so taking your time to do things right is important
• Trump’s legal team has certainly been doing everything they can to delay everything they’re able to